I am generally pleased with this map.
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Using Peter's detailed trace of Australia saved a lot of time. Apologies for the nasty bright colour for the Perth region, but tiny regions need that otherwise they are lost. Tell you what, I am pleasantly surprised that the sub-region articles are in reasonable shape. There are very few sub region articles with any bah content at Wikivoyage.
WA is looking good. The biggest task will be sorting the re-asments in the ly over-refined South West I think.
Are any of the northern routes worth showing in addition? Or are they mainly commercial mine lines? And the Albany Highway should probably be red. It suited the Today show and Broadway in many ways: they are both geographically near each other, and so in pandemic times the small scale makes big message idea was practical and effective. That took all the anguish of critics and cultural commentators, and placed it straight on the breakfast dishes of Middle America.
Get ready for the battle of the Broadway League and the various unions, and all their pandemic experts. There will be a lot of chefs in the reopening kitchen. They may be driving towards the same goal, but with very different sets of priorities and people and interests they are fighting for. Naveen: In Berlin, anyone can pay the price of a lst ticket to see a wide variety of often bizarre and challenging state funded!
A lot of wealthy patrons in the U. And if they haven't already seen Slave Play now the most nominated play in Tony historyhopefully they will when it inevitably returns to Broadway after the shutdown. Jeremy O. Harris, who wrote free online sex chat websites play and keeps collecting hyphens in his artistic life, has been vocally advocating for the Biden administration to create a Federal Theater Project.
While we're looking sahrk a recovery plan, there's precedent as part of the New Deal for vigorous government support of the theater industry and its workforce. I would, as the kids say, absolutely love to see it; surveying the industry and its priorities now, I think it would take an earth-shattering paradigm shift.
Broadway producer Brian Moreland, who faced criticism as a Black member of the Broadway League, spoke to me about how he sees change evolving, and the urgency of that change was underlined by Victoria Velazquez, co-founder of Women of Color on Broadway, who I spoke to in looking to the future of theater, post-pandemic.
Similar moves have been happening at regional theaters too. These largely behind-the-scenes, grassroots groups are also working to lay the text roleplay sites for theater workers of color—not just actors, but deers, stage managers, administrators, and more—to break in and thrive in the industry. Those conversations, and the strength of will behind them to affect change in whatever way possible, are also an encouraging.
The obstacles, many of them systemic, are daunting. Tim: As well as crystal balls, we should celebrate what theater there was this year, even if it does seem like another time and planet.
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Since the shutdown, theater has moved online, and—sad to say—I cannot say I have loved much of it. At first, I found the whole range of digital simulacrum too depressing. Mostly, I cued up classic movies and returned to perennial TV favorites why The Americans is my ultimate comfort series is another conversation. I wanted punk chats escape.
Good lord, did I not want to do any of that! To the extent that TV and film d production this summer, most often the goal was to keep the pandemic off screen. The most compelling productions I did see met audiences where we live.
The Apple Family Zoom plays bored me to tears because my mind would not willingly go to comfortably outfitted Rhinebeck living rooms. But the one-on-one, interactive video calls that comprised Theatre for One: Here We Are forced me onto my kitchen floor—the connection between performer and audience was direct, intimate, and visceral. Circle Jerk by the theater collective Fake Friends, which I know you and I both loved, Tim, was definitely theatrical.
But it also felt like the invention of a new form. It exemplified the sort of rethinking I hope outlasts this whole ordeal. Tim: Despite a severely abbreviated season, the Tony Awards sail on. The Musical lead the nominations, with 15 and 14 nominations apiece. There were only 18 shows eligible, because of the Broadway lockdown which went into effect March 12, just as the opening nights of Tony-eligible shows were peppering the calendar.
Indeed, that night massage and sex dating chat more show Six was set to open, and never did. Shows like West Side Story and Girl from the North Country were deemed ineligible because they did not open by the announced cutoff date of February It was decided that not enough Tony voters got to see shows that opened after that date.
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Whoever takes part in the Tonys should make as much noise as possible about the economic imperatives at play—and the social and human consequences for those who work within and outside our theaters. Naveen: Sigh. Nominations were finally announced, iraqi chat arbitrarily, a few weeks ahead of the election. But the ceremony is also for the community itself—for the nominees, of course, but also everyone else in and around the industry and fans of all ages.
I think whatever semblance of a virtual ceremony they manage at some point could provide a much-needed morale boost and celebration of last season however long ago it seems. But if the Tonys are not also a fundraiser for the artists and employees out of work, I will hurl my TV out the window. Tim: Yes, it really needs to be.
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As well as the devastation, there have been live sex chat east providence uplifting stories, like Edward Pierce, the famed Broadway deer who contracted coronavirus, almost died, and then—in his recovery—made American medical history. He, his wife Pixie, and his doctor spoke to me about his amazing experience. Patti LuPone, who was starring in Companywhen the pandemic began, spoke to me from her Connecticut home about sex, drugs, and the basement videos that so bewitched folks a few months back.
We should also note the deaths of major gay figures like Terrence McNally I spoke to Audra McDonald about working with him, and his legacyLarry Kramer friends and collaborators spoke to char candidly about their experience of himand Mart Crowley members of the cast ofThe Boys in the Band, original production and revival, shared their memories of working with him. As well as the sudden departures from the city, and sudden occupational changes, people are also working on stuff.
When we can see things again, there may well be a lot to see! Naveen: Successful russian woman seeking american man the commercial Broadway side, I hope the practical imperative of catering to tri-state audiences before tourism returns to New D le to more daring work. I could see cjat rise in limited runs of challenging plays led by younger, more intrepid producers.
Even with stars and small casts to help investors hedge their bets, the playing field could be wide open for experimentation. Just saying! Mrs Doubtfire! To which I say, bring on the Dolly Parton jukebox musical but throw the rest in the trash. Tim: Dream, dream, dream. Never change. We will not be spoilt for choice. Yes, characters will face challenges, drama will not go soft. But, at least when theater first returns, the general vibe may center hope and positivity, strength and resistance, rather than open-those-veins degradation and tragedy.
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I get that. I also hope that, at the right moment, the cheerleading comes with a hint or two of grit. Gill was dropped twice but was eventually caught behind off the bowling of Pat Cummins for Britain is braced for more flooding and gale-force winds today after Storm Bella lashed the UK with mph gusts and heavy rain. Read full article.
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